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The Playground of the Mind: An Overview of Shaun Costello's HOT DREAMS

Movies have been one of the strongest forms of escapism since the days of the beautiful, ghost like image of famed belly dancer Little Sheba tantalizing/horrifying curious viewers on a Nickelodeon. Art is the safest way to explore facets about your own humanity and all of its murky little corners. With this, it only make sense for numerous directors working in the 70's and 80's to incorporate themes of adult fantasies in film. This concept is front and center in Warren Evans aka Shaun Costello's 1983 film, HOT DREAMS.

Lisa (the great Sharon Mitchell) seemingly has it all. She's beautiful, lives in a nice and roomy loft in New York City and is a successful beefcake photographer. The problem? She's married to a total schmoe, in the form her of her businessman husband, Bob (Michael Bruce). The film opens with the two in bed, all lovingly framed and lit, including some nice, tight composition. Soon, Bob starts rubbing her side, initiating what I like to call “the international sign of your partner waking you to get nookie” maneouver.) She's very receptive but just as things start getting good for Lisa, Bob finishes without making things equal. Even worse, his neglect is excused with him saying he has to get ready for work but then takes, like, 15 minutes to shave his non-facial hair. What?